The Eighth Palace

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DEVELOPMENTAL HISTORY:

2015
César and Nina receive a TCG In-the-Lab Grant to begin work on The Eighth Palace.
Nina travels to NYC. Play test at NYU/Playwrights Horizons Theater School.
César travels to Copenhagen, Denmark to playtest.

2016
Nina travels to US. We play test at The University of the Arts in Philadelphia and The Flea Theater in NYC.

2017
César and Nina travel to Norway to present The Eighth Palace at the Interaction | Unfinished festival in Oslo.

Developmental Credits:
The 2016 workshop of The Eighth Palace was directed by César Alvarez and Nina Runa Essendrop. Cast: Mariah Del Rio, Angel Ng, Nina Roy, Carleigh Spence and Lindsay Wolgel. Associate Directors: Johanna Kasimow (Philly), Lilleth Glimcher (NYC). Lighting Design: Brian Schall. Stage Manager: Brianna Reedy. The 2017 performance in Norway featured César Alvarez, Nina Runa Essendrop and Lindsay Wolgel

The Eighth Palace is a work of participatory theater for 20 audience members created by César Alvarez and Danish larp designer and artist Nina Runa Essendrop. The Eighth Palace tells the story of “the Beings who have yet to emerge.” Each participant takes on the identity of one of these Beings and experiences their emergence, life, and dissolution through a multi-sensory co-created narrative. The participants acquire each sense one by one and eventually devise their own form of communication and identity. The Eighth Palace is a deeply surreal, physical and interpersonal experience that lives in the space between immersive theater and game play.

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 Some photos from the play tests of The Eighth Palace

Exploring the Undercommons

In the Spring of 2019 I engaged in an improvisatory, anti-disciplinary, subversive intellectual practice at Princeton University. Inspired by Stefano Harney and Fred Moten's open source book The Undercommons and Jack Halberstam's The Queer Art of Failure, I intentionally “failed” at a semester of my Princeton Arts Fellowship by engaging mostly in “non-productive” and non-curricular activities. My hope was to create knowledge, connections, collaborations, artworks and liminal activity which couldn't exist within a class or any other formal framework offered by the university. Moten and Harney describe how universities establish a type of “State” which structures and limits the knowledge and practices available. By utilizing the unique spaces and convergences on campus, but by stepping outside of the guidelines for “correctly” engaging, whole new possibilities can be made available. You can read my project proposal HERE.

“The slogan on the Left, then, ‘universities, not jails’ marks a choice that may not be possible. In other words, perhaps more universities promote more jails. Perhaps it is necessary finally to see that the university produces incarceration as the product of its negligence” - Fred Moten and Stefano Harney

My project was to release myself from the intellectual governance of the university. The heart of the work was creating a freeform Anti-Disiplinary Composers Club through word of mouth, which was basically a group of students who wanted to hang out and talk about all of these ideas as they related to music. I didn’t take any pictures of any of our meetings, hangouts or meals, but below I documented some of my other activities.